JAZZ
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Cultural Centre of Novi Sad  November 22nd - 25th  2002    

program - Studio
 M
T R U M P E T   S U M M I T   22nd

 23rd
klavir, solo
 USA - Yugoslavia - Slovenia..........
 24th
   25th

S.t.u.d.i.o..M
BOJAN ZULFIKARPASIC
France
JAZZ PISTOLS.
Germany
VASIL HADZIMANOV BAND Yugoslavia
BOSKO PETROVIC TRIO Croatia
VLADIMIR MARAS & BAND, Yugoslavia
BIG BAND RTV SLOVENIJA, Slovenia

TRUMPET SUMMIT
USA-Yugoslavia-Slovenia.

MATIJA DEDIC TRIO
Croatia
BEEFUNK
Austria
ALEKSANDAR MILOSEVIC QUARTET Holland
RAINER, RUSKUZ & WESP YU-Austria-Germany
CRISS-CROSS
Austria
ANDY BEY
USA

Youth Theatre
Scena Club
HEDY LAMARR
Yugoslavia
HAVONA
Yugoslavia

SNP - Trema Club
O Ke CONNECTION
Yugoslavia

J.A.M..S.E.S.S.I.O.N
HOUSE BAND
Yugoslavia
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P R E S S
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p r o d u c t i o n
CULTURAL CENTRE OF NOVI SAD
C  C  N  S
....S U N D A Y  - N O V E M B E R  24th  2002  -   8:00 p.m.  -  S t u d i o   M
....M O N D A Y - N O V E M B E R  25th  2002  -  11:00 p.m.  -  S t u d i o   M
Eddie Henderson trumpet
Benny Bailey trumpet
Stjepko Gut trumpet
Douglas Sides drums
Peter Mihelich piano
Predrag Revishin double-bass
T R U M P E T   S U M M I T
EDDIE HENDERSON
BENNY BAILEY
STJEPKO GUT
HENDERSON
BAILEY
GUT
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EDDIE HENDERSON
Eddie Henderson
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EDDIE HENDERSON
Eddie Henderson
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EDDIE HENDERSON
Eddie Henderson
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EDDIE HENDERSON
Eddie Henderson
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BENNY BAILEY
Benny Bailey
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BENNY BAILEY
Benny Bailey
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BENNY BAILEY
Benny Bailey
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BENNY BAILEY
Benny Bailey
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STJEPKO GUT
Stjepko Gut
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STJEPKO GUT
Stjepko Gut
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STJEPKO GUT
Stjepko Gut
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STJEPKO GUT
Stjepko Gut
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DOUGLAS SIDES
Douglas Sides
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PETER MIHELICH
Peter Mihelich
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PETER MIHELICH
Peter Mihelich
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PREDRAG REVISIHN
Predrag Revishin
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PREDRAG REVISHIN
Predrag Revishin

EDDIE HENDERSON  trumpet
Born 26 October 1940, New York City, New York, USA. Henderson learned the trumpet at school and studied music at the San Francisco Conservatory of Music (1954-57). There followed three years in the Air Force. He was already playing enough music to be encouraged by Miles Davis to develop his jazz. He returned to academic study, graduating in zoology (1964) and then in medicine (1968) and since 1975 has continued to work as a general practitioner and psychiatrist alongside his musical career. During summer holidays he played with John Handy and then with Handy and Philly Joe Jones when he graduated. He played with Herbie Hancock's sextet (1970-73) before spending six months with Art Blakey's Jazz Messengers. Since then he has led his own jazz-rock groups and even achieved chart success with a track from
Comin' Through (1977). At the end of the 90s he was recording with Joe Locke, Kevin Hayes, Billy Drummond and Ed Howard. (...)

Eddie Henderson was one of the few trumpeters who was strongly influenced by Miles Davis' work of his early fusion period. He grew up in San Francisco, studied trumpet at the San Francisco Conservatory of Music, but was trained to be a doctor when he permanently chose music. Henderson worked with John Handy, Tyrone Washington, and Joe Henderson, in addition to his own group. He gained some recognition for his work with the Herbie Hancock Sextet (1970-1973), although his own records (which utilized electronics) tended to be commercial. After Hancock broke up his group, Henderson worked with Art Blakey and Mike Nock, recorded with Charles Earland, and later, in the 1970s, led a rock-oriented group. In the '90s, he returned to playing acoustic hard bop (touring with Billy Harper in 1991) while also working as a psychiatrist. (Scott Yanow, All Music Guide)
Of course Dr. Eddie Henderson can heal the sick as a Doctor of Medicine and Psychiatry but his greatest gift of healing comes when he picks up his trumpet and plays like an angel or a devil depending on what kind of healing you need. I‘ve known Eddie for over ten years playing together in various situations with people like bassist Mario Pavone, drummers Matt Wilson, Steve Johns or Sylivia Cuenca, and often with the Mingus Big Band. I love to play with Eddie as he always searches for hip ways of playing from the heart and soul. And Eddie definitely takes no prisoners. He has a beautiful sound on both trumpet and flugelhorn, has a great ear and his use of various kinds of mutes is sublime. 
I‘ve known of Eddie for a long time and I always thought of him as being from San Francisco. But Eddie told me recently that he was born in New York City and then moved to the Bay area when he was kid. He started playing trumpet there when he was 10 and began studying music theory when he was 14 at the San Francisco Conservatory. After serving in the air force for a couple of years he went on to study zoology and then medicine at Berkeley and Howard Universities. But it was at this time that he met Miles Davis who encouraged him to get more involved with playing jazz. During his summer breaks he often played with the great saxophone player John Handy and once with drummer Philly Joe Jones. Two years after graduating with his Doctorate in Medicine in 1968 he joined the Herbie Hancock Sextet (aka – the Mwandishi Band). This early experimental fusion band made some fantastic music that played burning out funky grooves sometimes in unusual time signatures with lots of free playing, electronic colors and of course some great solos. Besides Eddie and Herbie the band included Bennie Maupin (reeds), Billy Hart (drums), Buster Williams (bass) and Julian Priester (trombone). What a band! Serious music!! 
Eddie stayed with the Mwandishi band for three years and soon after got a contract with Capricorn Records for whom he recorded two fantastic fusion records with the exact same personnel as the Hancock group but without Julian Priester. The first was called Realization and the second Inside Out. It was also in 1973 that Eddie joined Art Blakeys band for six months. Two years later Eddie continued in his fusion style with two records for Blue Note which were also very good and then two for Capital who didn‘t really have much of a jazz department at the time and tried to turn Eddie into some kind of pop/disco musician. Help! Beginning at the end of the 70‘s Eddie decided to spend more time at his other profession, as a general practitioner and psychiatrist. He continued to play with great musicians like Joe Henderson (who had just moved to the Bay area) as well as Pharoah Sanders but he wasn‘t as visible as he was in the 70‘s. 
Eddie came back on the scene when he moved to New York about twelve years ago and began to play with the bands of Kenny Barron, Gary Bartz and Billy Harper. His career as a leader also perked back up in 1994 when he started to record for Steeplechase and Milestone Records. It was at this time that he began focusing on his acoustic straight ahead modern trumpet style. Since his reemergence Eddie has recorded almost a dozen albums as a leader and a lot more as a sideman. He has now become one of the most sought after trumpeters in the world. If you want to hear how good Eddie is check out either Inspiration or Dark Shadows on Milestone Records or Dreams of Gershwin on Keystone. Or better yet go and see Eddie live. I‘m sure you‘ll be amazed! (Peter Madsen)

BENNY BAILEY  trumpet
Born Aug. 13, 1925, Cleveland, OH. It is a bit ironic that Benny Bailey is best known for his contributions to the famous Eddie Harris/Les McCann Swiss Movement album, since he admitted later on that he did not care for funky music. 

An extroverted and highly expressive player who has mostly appeared in boppish settings, Bailey's longtime residence in Europe has resulted in him gaining less fame (although probably more work) than if he had spent more time in the US. 
Bailey had some training on piano and flute early in his career, switched permanently to trumpet, and studied at the Cleveland Conservatory of Music. 
In the early 1940s, he played with groups led by Bull Moose Jackson and Scatman Crothers. After gigging with Jay McShann, he was with Dizzy Gillespie's big band from 1947-48, and then became a key member of the Lionel Hampton Orchestra (1948-53). 
The trumpeter left Hampton during a European tour, settling overseas. He spent a long period in Sweden, working with Harry Arnold's big band (1957-59), recording with Stan Getz and touring with Quincy Jones, 1959. A brief visit to the US in 1960 (during which he recorded a near classic album for Candid, (Big Brass) was followed by his relocation to Germany. 
Bailey has worked steadily during the past four decades, recording with Eric Dolphy in 1961, being featured with the Kenny Clarke-Francy Boland Big Band, touring with George Gruntz's Concert Jazz band, and in 1986 becoming a member of the Paris Reunion Band. 
In addition to the Candid date, Bailey has led sessions for many European labels, including Sonet, Metronome, Saba, Freedom, Enja, Ego, Hot House and Gemini, plus an American set in 1978 for Jazzcraft. 
But it is his explosive solos on "Cold Duck Time" and "Compared to What" from the Harris/McCann concert (now also available on video) that made him most famous. (Scott Yanow, All Music Guide)

STJEPKO STEVE GUT  trumpet 
He was born in 1950 in Ruma, Yugoslavia. Education: Music high school “Josip Slavenski” in Belgrade, Music Academy in Belgrade, Bern Jazz Academy, Boston Conservatory.

He played in Radio Novi Sad jazz orchestra and Radio Television Belgrade Big Band. He is one of those Yugoslav musicians that came out of RTS Big Band (Dusko Gojkovic, Bora Rokovic, Mile Pavlovic, Jovan Mikovic, etc.) and became known at the jazz scenes in Europe and around the world.
Collaborated with may world known big bands: Lionel Hampton All Stars Band (1980-1981), STB Big Band Berlin (1988), MHS Big Band, Austria (as a leader, including the first prize for the best Austrian big band “Best Austrian Big Band”, Vienna 1993), ATS Big Band, etc. There are to be added the names of world known musicians as L. Hampton, C. Terry, C. Fuller, M. Lewis, J. Newman, B. Queen, W. Williams, C. Jordan, H. Parlan, B. Washington, and many others.
He performed on many festivals such as: Bern 1980, North Sea 1982, Rontsberg 1981, Ivrea 1985, Havana 1987, Montreux 1988, Nanco 1990, New York 1996…
He also played in European leading jazz clubs.
Selected discography: Lionel Hampton (Amos Records), Stjepko Steve Gut with C. Terry (Timeless Records), Charlie Antolini (Verve Records), R. Queen (Bilva Records), Mark Muraphy (Wen Records). He recorded Afro-Balcanian sequences with RTS Big Band, and lately had many concerts with “Trumpet Summit” band and so to say “entered the world first trumpet league” by the names of Clark Terry, Benny Bailey, Alwin Quenen, Terrell Stafford, Jon Fadis, etc.
He is a teaching professor at Graz Jazz Academy. Lives and works in Graz, New York and Belgrade. In 2001 he founded Balkans Jazz Center in Belgrade, which organized a great number of concerts and hosted many of eminent jazz musicians in Belgrade and other towns in Yugoslavia.

DOUGLAS SIDES  drums
Douglas Sides was born in Los Angeles on October 10, 1942. He started piano lessons at the age of four and began giving small recitals (playing the usual Bach, Mozart, Beethovan, Schubert, Brahms, Chopin, etc.) until at seventeen years of age he discovered a strong affinity for percussion instruments and jazz music. Douglas attended Berklee College of Music in Boston and Boston Conservatory of Music and soon started his career as a jazz percussionist.

Douglas has had an international career performing (also under the name Doug Sides) live in America, Canada and Europe with: Lionel Hampton, John Handy, Abbey Lincoln, Jon Hendricks, Joe Henderson, Sonny Stitt, Blue Mitchell, Bobby Hutcherson, Kirk Lightsey, Chick Corea, Harry "Sweets" Edison, Cedar Walton, Kai Winding, Phineas Newborn Jr., Walter Bishop Jr., Johnny Griffin, Hank Jones, Herbie Hancock and others.
Douglas has recorded with many of the above musicians and others as well as his own music. He has composed and recorded music for two jazz ballets performed in Amsterdam. He has also worked with his own band in Los Angeles, New York City, Antwerp and Amsterdam. 
Douglas Sides did the first European tour of the hit Broadway show 'Sophisticated Ladies'- a musical review of Duke Ellington's music- from September 1988 until May 1989.
Since moving to Europe in 1989, Douglas has done concerts tours with: Johnny Griffin, Walter Bishop Jr., Tom Harrell, Steve Grossman, Tete Monteliu, Horace Parlan, Jesse Davis, Hank Jones, Benny Bailey, Benny Golson, Chico Freeman, Monty Alexander and Kirk Lightsey, along with many established local musicians both European and American.

PETER MIHELICH  piano 
Born in Ljubljana, Slovenia, he began his piano studies at the age of five. From the age of eleven until fifteen he received formal education by one of Slovenia’s preeminent instructors, his mother.

Between 1985 and 1990 he studied in Graz, Austria at the Hochshule fur Musik und Darstellende Kunst jazz department, where he met Sheila Jordan, Bob Mover and Mel Lewis, who encouraged him to explore his potential in the U.S.A. In 1990 he moved to New York where he resides today and works as a leader and a sideman (freelance musician).
In his career he has had the privilege of touring and recording with such renowned musicians as Clerk Terry, Grady Tate, Sheila Jordan, Mark Murphy, Annie Ross, Jimmy Cobb, Kenny Washington, Dusko Goykovich and Etta Jones to name a few, as well as up and coming musicians like Eric Alexander, Joe Magnarelli, Jim Rotundi, Joris Teepe Bernstein and many more. Since 1998 he has accompanied the legendary singer and song writer Jon Hendricks.
Mr. Mihelich has performed in some of the most prestigious American jazz clubs such as the Blue Note, Birdland (N.Y.C.); Yoshi’s (San Francisco); Catalina’s, the Jazz Bakery (L.A.). He has also been privileged to play at Carnegie Hall (N.Y.C.), Chicago Symphony Hall, Detroit Orchestra Hall, the Kennedy Center (Washington) and various major festivals: North Sea Jazz Festival (Den Haag), JVC Festival (Saratoga, N.Y.), Playboy Jazz Festival (L.A.) to name a few.
As a sideman, he has recorded numerous CDs in Europe, U.S.A. and Japan. His first release as a leader (with master drummer Jimmy Cob) was issued in winter of 2001, in Japan.
Peter Mihalich has been teaching privately for the last decade as well as giving workshops throughout the world.

PREDRAG REVISHIN  double-bass
Born in 1966 in Belgrade. Professional jazz musician and educator.

He finished elementary piano program at Music school 'Kosta Manojlovic' in Belgrade and elementary and high-school double-bass program at the same school. Studied double bass (jazz) at University of music and fine arts in Graz, Austria, in the class of Professor Wayne Darling. Graduated “cum laude” in 1997 and studied Master Degree program until 1998.
Works as a freelance artist and arranger. Since 1985 til 1987 member of the Radio-TV Big-Band in Belgrade as a bass player. Since 1993 works as a part time lecturer and Jazz work-shop and short course presenter at various academic institutions (Jazz educational center in Belgrade, Yugoslavia; University of Music and Performing Arts in Linz and Graz, Austria; UCT College of Music, South Africa).
From 1998 to 1999 worked as a music consultant, arranger and tutor at the 'Jazztrack Studios' CC, in Cape Town.
While studying, he was engaged by musicians such as: Clark Terry, Andy Bey, Mark Murphy, Sheila Jordan, Dusko Gojkovic, Bob Mover, Berry Harris, Stjepko Steve Gut, Fritz Pauer, Karl Heintz-Miklin, Alan Praskin, Johannes Enders…
In the same period played in 'Royal Garden Dixiland Band' (Graz) as a permanent member and in 'Grazer Philharmonic' as an associate member. In 1998 moved to South Africa where he collaborated with local and international names such as: Andrew Lilly, Kevin Gibson, Zim Nqwana, Jack van Poll, Rene McLean, Beki Mseleku, Vusi Khumalo, Stacy Rowles etc.In 2001 moved back to Belgrade where he currently works as an educator and program coordinator in Jazz EPIcenter in Belgrade.
c o n c e r t  i n  c o l l a b o r a t i o n  w i t h :
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